Thursday 7 September at 21:00 – Piazza XX Settembre, Carpaneto Piacentino

ECCENTRICI DADARÒ COMPANY – CIRCUS THEATRE

with Umberto Banti, Andrea Ruberti and Dadde Visconti; first spectator Mario Gumina; original music by Marco Pagani; costumes Lidia Maestrello; sets Claudio Micci.

Two men and a woman, friends-rivals-in love running towards a common goal: Happiness! Being happy is a moment, an ephemeral duration, but despite all the desire to achieve it never subsides. Between hilarious gags and surprising tricks, the three characters will accompany the audience on the journey of Life, made of falls and failures, successes and triumphs but always together, sometimes friends, other rivals, in an unstable balance to reach the coveted goal. The Art of Transformism, used as a “time machine”, will make them wander between past and future making us love their adventures or misfortunes, as only Clowns can do.

“[…] The three stage that canvas full of improvisations that is life itself, in its complex bonds of friendship, affection, rivalry, resentment, in its ambivalent mechanisms of attraction and repulsion: and we laugh, a lot, at every transformation and interaction of the three bizarre creatures in the passage of the ages but, and this is the beauty, with different degrees of awareness that vary according to the age of the spectators. How could you define it, then, Incomica? Perhaps as a fascinating game of mirrors between past, present and future with which the Eccentrici Dadarò invite us to interact, making sure that each of us can find, through emotion and fun, something about ourselves that we did not yet know.”

THE ECCENTRICI DARARÒ COMPANY: The Eccentrici Dadarò were born in 1997. Children’s Theatre, Street Theatre, Prose Theatre are equally fields of investigation on communication through the language of Theatre, the search for an extra-daily encounter through the dominant spectacle. The first research is around clowning, acrobatics, Commedia dell’Arte, circus arts. The encounter between this experience and the actor’s theater is the detonator of what will be the language of the Company in all subsequent productions: a search for balance between body language and dramaturgical language, trying to bring physicality into the word and at the same time approach the textual development with the opening of exclusively physical pauses, which approach an empathy with the path of the unconscious flanked by that of the logical mind. Since 2004 he began collaborating with the Gaber Foundation for the dissemination of knowledge of the character and work of Giorgio Gaber. From this experience comes the impulse to deepen the link between theatrical language and musical language, a path that continues in 2013 with a project dedicated to another Milanese artist, Enzo Jannacci.